Toutes peintures à l'huile d'Dyck, Anthony van

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19012

Apostle Jude

1619-21 Art History Museum, Vienna

85367

Caesar Alexander Scaglia

1634(1634) Medium Oil on canvas Dimensions 189 x 110 cm (74.4 x 43.3 in) cyf

23994

Charles Iwith Monsieur de St Antoine (mk25)

1633

23995

Cupid and Psyche (mk25)

1639-40

51724

Detail of the Rest on the Flight into Egypt

nn09 c.1630 Oil on canvas 215x285.5cm

19014

Family Portrait

1621 oil on canvas The Hermitage, St. Petersburg

77701

Gastons de Bourbon

Date 1634(1634) Medium Deutsch: Öl auf Leinwand English: oil on canvas Français : huile sur toile cyf

19021

Genoese Noblewoman with her Son

1626 oil on canvas National Gallery of Art, Washington D.C.

19009

Head of a Robber

1617-1618 oil on canvas Art History Museum, Vienna

85341

James Hay

oil on canvas 204.5 x 126 cm Date c. 1638 cyf

19017

Lucas van Uffelen

1622 oil on canvas Herzog-Anton-Ulrich-Museum, Braunchweig

19019

Marchesa Cattaneo with a Servant

1623 oil on canvas National Gallery of Art, Washington D.C.

80729

Mary Stewart

ca. 1636(1636) Medium Oil cyf

77364

mit Zwerg Sir Jeffrey Hudson

1633(1633) Medium Oil on canvas Dimensions Deutsch: 220 ?? 135 cm cyf

19020

Nicholas Lanier

1628 oil on canvas Art History Museum, Vienna

41330

Portrait of James Stuart,Duke of Richmond and Fourth Duke of Lennox

mk161 oil on canvas

97204

Portrait of Maria Luiza Panasco

circa 1843(1843) Medium oil on canvas Dimensions 81.6 X 65.2 cm cyf

41193

Portrait of one Mr.Brignole

mk157 1621-25 Oil on canvas 205x125cm

78636

Portrait of Venetia, Lady Digby

1633-1634 Medium Oil on canvas Dimensions 101.1 x 80.2 cm (39.8 x 31.6 in) cyf

79633

Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung

1622(1622) Medium Oil on canvas cyf

79219

Portrat der Marchesa Balbi

ca. 1625(1625) Medium Oil on canvas Dimensions 183 x 122 cm (72 x 48 in) cyf

82751

Portrat Karl des I

1635-1636 Medium Oil on canvas Dimensions 85 x 100 cm cyf

83658

Probably portrait of James II

Oil on panel Öl auf Holz Dimensions 31 x 26 cm (12.2 x 10.2 in) cyf

82825

Selbstportrat als Paris

1628 Medium Oil on canvas Dimensions 96 x 84 cm (37.8 x 33.1 in) cyf

19018

Self-Portrait

Approx. 1622 oil on canvas The Hermitage, St. Petersburg

19013

Susanna Fourment and her Daughter

1620-21 oil on canvas National Gallery of Art, Washington D.C.

24268

The Five Eldest Children of Charles I (mk25)

1637

19015

The Genoese Senator

1621-23 oil on canvas Gemäldegalerie, Berlin

19016

The Genoese Senator's Wife

1621-23 oil on canvas Gemäldegalerie, Berlin

24251

The Greate Peece (mk25

1632

19011

The Lamentation

1618-20 oil on canvas Art History Museum, Vienna

19008

The Penitent Apostle Peter

1617-18 oil on panel The Hermitage, St. Petersburg

24266

The Three Eldest Children of Charles I (mk25)

1635

23996

Thomas Killigrew and William (mk25)

Lord Crofts 1638

19010

Young Woman with a Child

1618 oil on panel The Hermitage, St. Petersburg

Dyck, Anthony van

Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,

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